So when I went freelance, one of my trusted colleagues—himself a long-time freelance writer— warned me that transitioning into being home all the time would likely be extremely difficult at first, that it was nobody's fault, it was just a fact that too much proximity to another adult would be difficult, especially since we were living in a small New York City apartment, and the other adult in question (Top Management) was used to having said apartment all to herself.
We never found that to be the case. We were delighted to have an extra 50 hours a week together and, if anything, hated having to stop talking to each other so one could leave the room to go work. And 22 or so years later, that's still the case. When it's time for me to leave Lissa's studio to go make dinner or watch Doctor Who with the kids or whatever, my good lady wife will often break into an awesomely accurate Veruca Salt impersonation, expressing her displeasure with my impending departure.
Fortunately, I have finally, after all these years, found a solution: I begin an interpretive dance which aims to illustrate how I personally feel about leaving her, the anguish I'm experiencing, the deep love I have for her and the conflicting emotion of paternal responsibility. Occasionally I'll throw in a small aside about current events or perhaps a recap of a recent television episode, just for contrast.
I say I begin an interpretive dance, because I rarely get more than three seconds in before she says, "Okay, you can go now."
Sure, she sounds eager for me to leave. But she's crying on the inside. I can tell.
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