So the fireplace is Base, that magical place all children (humans?) instinctively recognize as utter safety, where not even the growling bear that is your father can touch you, no matter how close he might get or how loud he might roar. The toddler has been getting ever closer to me, taunting me, before running, shrieking, back to Base, at which point he always yells, half-defiant, half-terrified, "Base!" As I'm in the process of making a cuppa tea for Top Management, who's still fighting off a nasty cold, I'm not doing much more than headfakes in his direction, or maybe the occasional move of a foot in a hasty manner, but it's enough to keep him on edge.
I finish with the tea and, having delivered it, head back towards the office. I expect him to follow, so around the hallway corner, I duck into the girls' room, the Blue Room, and wait, eyes narrowed, claws out, ready to grab; he'll learn not to mess with the bear.
Only then the bear hears something in the wall behind him. As it's the time of year—when isn't it?—that San Diego's local tree rat population looks for someplace warmer to shelter, this is not an entirely unknown sound, but it's not a terribly common one, and is an entirely unwelcome one.
I turn and see that closet is mostly but not completely closed. And I see something moving in there. Something a bit larger than a tree rat.
A butt appears, covered not in fur but in a pretty print dress with flowers on it. This is followed by a back, covered in a much beloved pink sweater. Soon the Golden Weasel's golden locks come into view, slowly. She backs out of the closet and into the room carefully, holding something a bit too large for her to carry easily. She eases it down onto the floor and I can now see it's her bin of art supplies, recently reorganized for her by her loving mother.
I wait for her to turn and see me. But she doesn't. She's too intent upon her task, digging through the supplies, looking for just the right thing.
I realize that if she turns now, I'm going to scare the living hell out of her, and not in a good way. So I take one last look, then back out of the room myself. Once out in the hall, I peek back in, and she's still kneeling over the supplies, hard at work.
There's nothing quite like observing wild creatures in their native habitat.
And when you gaze long into the abyss, the abyss also gazes into you, with googly eyes.
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